【7724】胆咪 TACET S253 肖斯塔科维奇：第五、九交响曲 凯勒指挥 Shostakovich Symphonies 5 & 9 Kel

Tacet  S0253 

Stereo/Multichannel Hybrid

Classical - Orchestral

Shostakovich: Symphonies 5 & 9

Concerto Budapest

Andràs Keller, conductor

肖斯塔科维奇 第5,9交响曲 凯勒 指挥 布达佩斯协奏曲乐团

Tacet  0253

Stereo/Multichannel Hybrid

Classical - Orchestral

Shostakovich: Symphonies 5 & 9

Concerto Budapest

Andràs Keller, conductor

俄国作曲家肖斯塔科维奇被公认为二十世纪在马勒之后最出色的交响曲作曲家，尤其他的十五首交响曲中的第5及第9交响曲更是代表性杰作。

在安德拉斯·凯勒（Andras Keller）的带领下，布达佩斯协奏曲乐团与“TACET”合作录音，经过"布鲁克纳第九交响曲"、"德沃夏克第九交响曲"获得好评之后，带来第三个“第九交响曲”表演曲目。

活跃于弦乐四重奏领域多年的凯勒（Keller）巧妙地协调了每种乐器的音质和音色，并从管弦乐队中带来了丰富的声音。用轻巧的演奏方式演奏肖斯塔科维奇第九交响曲，赋予第五交响曲足够的表现力，在最大限度地发挥乐团的功能，并具有丰富的音乐性；凯勒和乐团精彩的诠释透过TACET真空管录音技术完美呈现给听众。

Pictures while listening to symphony no. 9: A joyful, almost boisterous opening movement. A dreamy, contemplative second followed by a sparkling presto. And then this short fourth movement, the helpless lament of a lonely bassoon, still showing signs of vitality against the stark, unbending, unison brass. A small, tormented individual under brutal state power. Nevertheless, still it laments. The dictator repeats his demand. But the bassoon does not totally lose heart. It starts the last movement with a shy, slightly mischievous dance that becomes gradually more light-hearted. Somewhere along the line, the timpani and horns give the signal to rise up, initially very softly. This is the announcement to the dictator: watch out, Stalin, this is it, now I'll make you think with pen and ink! The furious ascent peaks with a grotesque triumphal march that sounds like liberated laughter. The powerless one makes fun of the all-powerful – and then whistles in his face! Looking back, the question arises: who is the one lying as heavy as cold sheet metal in an eternal bottomless pit and who is the one who remains laughing in history? Judging by the music, by the 9th symphony Shostakovich had put the worst of times behind him. Quite different from in the 5th, but that's another story. Another story, by the way, that you can also find in this cinema.

Is that just my idea? Or does it come from the fact that the Concerto Budapest and András Keller tell the story in such a straightforward manner? It almost seems as if there are people playing here who are marked by the aftermath of those times.

Symphony No. 9 op. 70

1.  Allegro

2.Moderato

3.Presto

4.Largo

5.Allegretto

Symphony No. 5 op. 47

6. Moderato

7.Allegretto

8.Largo

9.Allegro non troppo